What does that mean to an artist?
Without illusion and content, is there a concept?
Is this concept meaningful to the picturesque mindset that inhabits the average viewer?
Is there a key to unlocking meaning in the non-objective?
Do seemingly random marks contain a message?
Does a change in method and/or material/media across the surface show intention?
Is the process of painting a meaningful distillation of the flow of thought in the artist?
If you want to think about some of these questions, let's talk next week.
See you then John.
No comments:
Post a Comment